"It’s the best movie in the world and it’s a love story and it’s baller status."
— Vin Diesel on “Fast Six” (x)
(Source: gorgons, via aragingquiet)
I admit, I don’t know Cho that well, so I am glad there are other readings to be had!And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.
Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.
*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.
And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145>:
JC: I recall from the Harold and Kumar movies is my struggle with the advertisers.
APA: What happened there?
JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.
APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?
JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html
“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach.
But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)
I love him 1000 times just for flawlessly articulating this racist absurdity in the most succinct and accurate way I’ve ever encountered.
Once more into your weekend…John Cho.
(Source: whitelaws)
Wayne Allyn Root - seriously, look his face in the last gif.
No one’s laughing.
Lisa Simpson has been my hero since 1990
This is, and forever will be, the matter.
(Source: sandandglass, via satanic2chainz)
| what you said was: | "i don't respect women who don't respect themselves" |
| what you meant was: | "i and society as a whole hold women up to ridiculous respectability standards directly relating to the "purity" of said women while hypersexualizing them at the same time and if you are a woman and don't fit my awkward monolith of criteria then i refuse to acknowledge your humanity" |
| what i heard was: | "hi i'm a misogynist piece of shit, please punch me in my face" |
"
If I Were A Banned Book
If I were a banned book, I’d be the dirty bits and the heaving breasts and the twisted sheets and the scented oils and the chains and rope and dripping candle wax. I would coax you into multiples, and I would urge you to invite another. I’d be the empty bottle of gin on the kitchen table. I’d promise to call, but never would.
If I were a banned book, I’d tell you to challenge authority and question everything and demand answers. I’d tell you that the 1 percent is nothing without the rest of us labeling the 1 percent the 1 percent. I’d teach you to cook anarchy and embrace diversity and kiss your same-gender lover in public.
If I were a banned book, I’d let you ask me about sex and growing up, and I’d sing the caged-bird songs, and I’d be each of the nobodies who would answer to the name nobody. I’d teach you to sail a raft and swim against tides and dance in towns where dances aren’t danced.
If I were a banned book, I’d be the light on long-past midnight in your attic, and I’d be the cauldron around which dance witches and in which fire burns and toil and trouble doubles.
If I were a banned book, I’d bring flowers to the grave of a mouse and I’d teach you that forever sometimes means forever and sometimes means less than forever but always means what forever will mean to you, then, at that moment.
If I were a banned book, I’d be the secrets you write in your diary and I’d be the lies you write in your diary and I’d be the truths that you wish weren’t truths that you write in your diary.
If I were a banned book, I’d be cupboards and wardrobes and the hidden door under a stairwell in which lives the boy who lived. I’d be beanstalks and magic shoes and godmothers, winged and otherwise. I’d be potion poultice poetry. I’d be words wings wizardry.
If I were a banned book, I’d dance with insects outside of an enormous peach, and I’d race wolves in woods overgrown with ivy and snow. I’d be the substitute teacher who’d let you smoke cigarettes outside. I’d be the comic book hidden behind your history book.
If I were a banned book, I’d urge you to go ask Alice, and wrinkle time, and ride in talking cars. Everyday, I’d crown a new king fly-lord, and everyday would be a good day to say goodbye to something.
If I were a banned book, I’d be the Pigman and I’d be a Wallflower and I’d be the story of Sleeping Beauty, written under a penname. I’d kill mockingbirds and I’d talk about the things we talk about when we talk about things like death and love and sex and forever, which, as I already would have taught you, sometimes means less than forever but always mean what forever will mean to you, then, at that moment.
"— William Henderson - Nov. 30, 2011 (via sexifinehotmess)
(via aragingquiet)
I’ve been waiting for this to come around
(Source: ashagreyjoyed, via this-bird-has-fl0wn)
The Amazing Underwater Forest of Lake Kaindy
What makes Lake Kaindy truly remarkable is that it contains an underwater forest. Visible on the lakes surface are the tall, dried-out tops of submerged Spruce trees that rise above the water’s surface like the masts of sunken ships. They are the only sign of the amazing frozen forest below the water’s surface.
The water is so cold (even in summer the temperature does not exceed 6 degrees) that the pine needles remain on the trees, even after a hundred years of being submerged. During the winter, the lake freezes and becomes a popular spot for ice diving.
The lake is 400 meters long and is located in Kazakhstan’s portion of the Tian Shan Mountains, about 129 km from the city of Almaty. The lake was created after an earthquake in 1911 triggered a large landslide blocking the gorge and forming a natural dam.
Holy crap.
(via scifi-fantasist)
